How social media can help environmental journalism

This Friday I was at the University of Hong Kong, giving a guest lecture in its Environmental Journalism class (graduate-level). I talked about how social media can help environmental journalists and this field of journalism, from finding story ideas to marketing your story. Below is a summary of what I covered in that one hour, combined with the comments from the audience.

Some clarifications first. One on environmental journalism. It goes into mainly two streams: scientific or political. Water pollutions, new energy, waste recycling, etc. goes into the first category. Scientific environmental journalism requires the journalist to understand the issue well, and explain it well. Political environmental journalism has much to do with the government policy and non-governmental organizations, and the very typical example is climate change. For this, journalists need to be careful of staying objective. Another clarification goes to social media. It is not only about Facebook. It is all about interaction and community.

I break the question (how social media can help environmental journalism) into five parts:

1. Discover the story

So how do you, as a journalist, find out what is happening?

Following NGOs on Facebook to see what causes they are initiating and following environmentalists on Twitter to see what activities they are involved in is of course what you can do, or should have done. But there are also sites where you can find it out more easily.

Check this site out: Change.org. It is a community site full of causes and petitions. It is where people gather together, raise the problems they find, and vote for those they consider as serious. It is straightforward – what is the problem, what is people’s reaction, what does people care about the most. So find your inspiration, and dig into the problem, get your story. It is especially good for countries like the U.S. or China, where a single issues (such as air pollution) can affect lots of people in different areas. With out this kind of online community, it is hard to collect people’s opinions so easily.

2. Break the story

As a journalist, you need to be on the site. To leverage the power of social media, you need to be equipped with good technology – iPhone or whatever smart phones. And you do live reporting.

This is exactly what the journalist from the Southern Metropolitan Daily did when Guangzhou citizens were protesting against the proposal of incinerator construction. You may find the English translation here on EastSouthWestNorth. Its original Chinese version disappeared, and the news itself was not allowed to report in China. So here comes citizen journalism.

Click here for a set of photos that LEMONed, a web developer and blogger in Guangzhou, took on the scene. Chinese tweeples spreaded the photos, and the issue got more attention online, and more people joined the demonstration. The end of the story is that the government was forced to initiate environmental assessment for this project.

Below is a photo by LEMONed, of a normal citizen holding a white board, saying: Get on Twitter, Broadcast live online.

3. Present the story

I love text. But I am also a strong supporter of getting stories beyond text – if you have a good video, get it on Youtube and share to others. If you can use graphics to illustrate or explain the complicated background of the story, do it, and there are plenty of brilliant environmental inforgraphics out that that you can take reference of.

In the talk I particularly talked about mapping, and used the Gulf Oil Spill as a case. I showed two maps, one from Mapthespill, and another from ESRI – below is a screenshot. The latter one integrates news from major news organizations such as the New York Times and the Washington Post (the RSS logo), and also Tweets, Youtube videos, Ushahidi reports, Flickr photos, etc. This is a good example on how social media can help present the story – you see real-time what people are talking about, and what newspapers are reporting.

However, while this particular map is issue-oriented, and as the audience pointed out, some of the news/tweets are no longer relevant. But I recall four months ago, when I was relying on the map for updates of the story, it was pretty accurate and helpful.

4. Fund the story

Freelancing is more and more popular. So if you are a freelancer, or determined to be one, and you are to do a serious environmental story, which would always require trips and investigations that end up with huge cost – what do you do?

Spot.us provides an answer – at least to some extent, and in some countries. The site adopts a microfinance model – you raise a story idea, states clearly how much money you need to do it, and people donate five bucks or twenty bucks – while you get enough supporters and enough money, you go ahead to do the story, and offer back the story to your supporters.

One from my audience raised his concern on whether this kind of model would work in Hong Kong – he said that this kind of micropayment would require a strong sense of community, so that people see the value of the story and they are willing to fund. That is a good point. We haven’t seen much good microfinance cases in this city, but we do see some in China – where so much happening but not so many good stories are allowed to produce. A good chance there.

5. Market the story

This is the easiest part. After you’re done with a great story, just get it on all the social media, as many platforms as you can.

One lady from the audience is an experienced environmental journalist who used to work for New York Times’ Green blog, and some other major news organizations. She emphasized the importance of building personal reputation online – as a journalist, you can no longer be satisfied by your byline only. Learn to present your story to your readers in a more live way, and learn to communicate with them directly. Delay no more.

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At the end I talked about the product that I managed in the South China Morning Post – CitizenMap, which is a good example to illustrate how it can help journalists in the five steps mentioned above. But I’ll save it to another post.

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About myself:

I am not an environmental journalist. The only story I have ever done on environment is one video story I did for my Video Journalism class – on the issue of Victoria Harbour in Hong Kong.

My experience with the inter-discipline of media and environment started Dec.2009, when I interned for Clean Air Network in Hong Kong on its social media marketing. Soon I turned to WWF Hong Kong as a part-time, in its communications team, mainly writing press release and columns, and luckily helped organize the Earth Hour event. After that I headed off to Beijing in May 2010 for a summer internship at the Environment and Energy Team under United Nations Development Programme, where I ended up delivering new media workshops to the team. In Sep I started my job at the South China Morning Post in Hong Kong and my first project is directly related to environment issue as well.

编译:媒体协作项目综览(下)

这是编译:媒体协作项目综览(上)的续篇。此文的原文来自:A Growing Inventory of Journalism Collaborations。如果你懂得翻墙上推,也可以直接follow原文作者Josh Stearns @jcstearns

3)公益媒体协作

调查新闻网络这是一个由一群非营利新闻机构组成的网络,专门进行以公众利益为导向的深度调查新闻。它旗下的机构囊括了诸如NPR、WNET.org、美国公共电台之类的传统媒体,也包括了新成立的一些数码公司。它不久前刚发布了第一份关于美国校园性暴力的协作报告。

(译者按:有不少在香港或者中国做调查性新闻的外国记者和我说,他们来中国,不仅仅因为这里是新闻的沃土,更因为这里有钱、有资源可以支撑调查性新闻,而美国却越来越少这样的机会,于是他们选择学习中文,来中国做新闻,做出新闻卖回西方世界。中国似乎从来没有见过媒体合作做调查报道的先例,想象一下《新世纪周刊》和人人网一起做个调查新闻?)

旧金山公共出版社它与文学杂志McSweeney’s合作做了一个报纸特刊叫做《全景》(Panorama)。两家合作利用Spot.us,面向大众募捐,完成了一个对于海湾大桥的调查新闻。

(译者按:这里的重点是crowdsourcing,而spot.us就是一个专门为新闻服务的小额募捐平台。这个调查新闻根据spot.us上的页面介绍,总共有164人捐款,筹款总共达7964美元,加上一个机构的一次性5000美元赞助,于是这一个调查新闻就有了将近10万人民币的资金——想象一下,CCTV也没有那么大手笔,拿10万块钱来做一个新闻吧?)

NPR’s Project Argo这是一个基于网络,横跨12家公共电台的项目,由NPR主导,旨在统筹各家媒体所做的值得全国关注但发生在地方的新闻报道。这个项目有专人操作,并且会派出记者实地报道。参与的电台来自旧金山、圣地亚哥、西雅图、明尼苏达、华盛顿、波士顿、纽约等地。(这里有一篇讨论此项目的关于可持续性的文章,非常值得一读)

PBS地方新闻中心:CPB出资赞助了七家地方新闻中心的创立,这些中心将由多媒体记者团队组成,并且将聚焦各地的地方新闻,而他们所做的报道将通过电子平台、社区项目以及其他的广电渠道向全国推广。

(译者按:CPB的全称是Corporation for Public Broadcasting,是由美国国会出资成立的非营利新闻机构,它这次在地方新闻中心的赞助总额达千万美元,而对它们的期望则是两年内经济独立。)

译者按:下图是一张展示上面介绍的两个项目的地图,可见它们基本覆盖了全美国(来源:http://www.current.org/news/news1006localcenters.shtml

Map showing Local Journalism Centers and Argo Project stations, 2010

公共媒体平台这是一个由NPR执行、PBS、American Pubic Media, Public Radio International以及Public Radio Exchange协作开发的平台,旨在为公共媒体提供一个灵活的网络场所以促进电子新闻的搜集、传播以及商业化。

(译者按:根据Current.org的报道,这个2010年六月开始计划并投资的项目的筹备时间将长达6个月,启动资金约100万美金,以NPR的API为基础,到年底将出产一个平台的雏形,以待进一步开发。项目由三组人构成:领导团队由各家协作媒体的电子产品主管组成,负责确定产品方向;计划团队将方向变为具体的操作细节,而技术团队负责产品的实现。)

Patchwork Nation一个由PBS Newshour, Christian Science Monitor以及各地的博主协作的网站项目,利用地图、数据分析以及直接报道来实践社区新闻,主要针对政治、社会经济以及文化方面。

KQED’s Quest: 这是一个多媒体新闻平台,关注旧金山湾区的科学与环境新闻,并且与当地的图书馆、博物馆以及教育机构协作。

(译者按:这是一个简洁的综合型小网站,出产的新闻有电视,广播,博文,照片,地图,以及所有你能想到的形式。由于它独特的地理范围以及科学性的新闻报道,为它带来了特有的教育性质——所以学校、老师、学生都可以从某种程度上参与这个项目,或者是贡献,或者是获取教育材料,是不错的媒体与社区结合的案例。)

J-Lab 新闻协作网络: 五家新闻机构决定与至少五家地区性新闻网站合作,通过协作网络计划去共同报道一些社区新闻,并且为将来的内容协作寻找创意与积累经验。

4)大学与媒体的合作

The Local: East Village纽约时报与纽约大学合作项目,这是一个只覆盖一小片地区新闻的博客站点,基于纽约时报网站而建,由纽约大学负责编辑和出产新闻。

(译者按:自从九月到现在,基本每天能保证有两三篇新闻,而且有些还是视频制作,算是非常之高产了。这个项目的另一个特别之处是使用了纽约大学自己出产的新闻流程工具—— Virtual Assignment Desk,这是一个专门用来优化新闻流水线的Wordpress插件,其最大的好处是增加了读者与新闻出产机构的互动,可以通过读者来提供新闻点子,然后由编辑来决定。这里有一篇更详细的解读。)

The Hechinger Report: 由哥伦比亚大学的教师学院与包括华盛顿邮报在内的几家媒体合作的项目,是一个以教育为主题的深度报道网站。

[全文完]


闭上眼,安静听 | Devics, Maximilian & Sigur Rós

周二晚上,第一次去香港的live house。去的这家在观塘的一座工业大厦里,从地铁站出来要经过无人的地道,穿过宽敞的马路,拐进黑幽幽的小巷,然后拉开用力也不一定打的开的铁门,坐上摇摇晃晃的电梯上楼,才进到那隐蔽的酒吧。地方很宽敞,条件很简陋,酒类很少,听众,也很少。

但即使是不到百人的听众,也已经让Sara惊喜不已——我不知道在这之前她对中国的印象究竟如何,但她用美国人特有的天真说没有想到过在中国也有人听Devics的时候,还是让我惊讶了一把。边上的小a微笑着说,我听了六七年了。

很多人说起Devics的时候,总是用“颓废”来形容。而Sara在台上说,爱听我们的歌的你们,一定是浪漫的人——我觉得这才是最好的诠释。他们的歌哀而不伤,用lain的话说,也只有在加州阳光的映衬下,才称得上“暗夜之花”。

周三晚,Maximilian Hecker。剧场,舞台,钢琴,灯光。台上的他穿的随便,脚踩白色运动鞋,鞋边是一罐啤酒,唱完一曲喝一口。间中说一些前言不搭后语的话,最常说的是“Ya…”,伴随着各种声调,然后很认真地说,我唱歌OK,说话不OK。

这样一个让你感觉很冷幽默的人,缓缓唱着忧伤又温暖的歌,唱到一曲Nana,唱之前说,这首歌献给Nana,我之前去东京找她——但是没有找到。众人以为又是一个玩笑。怎料曲终之后,他猛然转身背对观众弯下腰去,众座哑然,空气凝固了几秒之后,听到了他的哭声。短暂而激烈的抽泣。

他很快又转过身来,带着歉意的笑了笑,说,对不起,我太动情了。

我在这里找到了Nana的故事。原来是个萍水相逢的东京卖身女子。不知道这后面有没有更多的故事。

———–

今晚,Sigur Rós的纪录片。冰岛的音乐最早听的应该还是Bjork,听Sigur Rós已经是这两年的事。这片子在冰岛拍摄,风格也十分北欧,简洁、冷峻、唯美。

在片子里你可以看到那些奇特的音效是怎样做出来的——你看到他们去火山上捡石头回来做打击乐,用祖父辈种下的树木来调音符;你看到他们在各种奇趣的地方演出,有废弃生锈的渔船,也有童话般草原上的小木屋,演奏了一半会有邻家的狗跑到乐器中间去打个转,远处有山羊在吃草观望,再远处有火山或者大海。

一方水土养一方人,音乐也大抵是如此吧。

疲惫的时候听Sigur Rós是最好的选择,清澈的声音里夹杂了北欧的冰冷与逍遥,亦没有什么太多的哀伤和彷徨。于是用它来结束这个Friday Night,虽然周末依然要加班。睡去了。晚安。闭上眼,安静听。

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